![]() © Victoria and Albert Museum, LondonĪbbot Johannes von Giltlingen and saints, attributed to Georg Beck, from the Giltlingen Psalter, 1494 – 95, with 19th-century repairs, Augsburg, Germany. Irene, attributed to circle of François Le Barbier, from Giovanni Boccaccio, Des Cleres et nobles femmes, about 1460 – 70, Paris, France. © Victoria and Albert Museum, Londonġ9th-century montage of cuttings from a papal missal, about 1523 – 34, Rome, Italy. In medieval manuscripts, animal images appear most frequently as decorative details with little relationship to the meaning of the text.They occur in the ample white space, or within decorated capital letters, frames, borders, and more. Initial ‘B’, showing St Michael and the dragon, from a choirbook, about 1350, Netherlands. They are, by turns, silly, dramatic, and puzzlingbut always illuminating about the way scribes and. Initiale is a computerized catalogue of illuminated manuscripts of the Middle Ages, mainly those preserved in the public libraries of France, outside the. In the 12th and 13th centuries the gold leaf was often employed as a. Atlas Obscura has compiled a selection of doodles and drawings from medieval manuscripts. Only illuminations, not entire manuscripts, have been digitized for the site. The vast majority of the manuscripts are from France and the Low Countries. Initial ‘Q’, from Gratian’s Decretum, about 1160 – 65, Pontigny, France. Often an entire page might be used for a picture, using huge amounts of gold leaf - this is simply termed an illumination. The primarily late medieval images are drawn from close to 400 manuscripts from the 8th through 16th centuries, although more than half date to the 15th century alone. Possibly useful to educators in search of. Miniature from the Romance of Kanor, about 1325 – 50, Paris, France. Discarding Images is an Instagram account that regularly highlights intriguing and unusual medieval illuminations. Initial ‘C’ with monks dragged into Hell, from a Cistercian choirbook, about 1500 – 30, Netherlands. and sometimes changes in the illuminations made at the decree of a previous owner. Initial ‘M’ showing St Giustina and Maximian, by Girolamo da Cremona, from an antiphonary, before 1462, Padua, Italy. Making medieval books involved the collaboration of many people. Initial ‘A’ and border decoration, copied by Ernesto Sprega after a 15th-century choirbook, before 1862, Siena, Italy. ![]() ![]() Initial ‘R’ with monks singing and playing the organ, from a Cistercian gradual, about 1300 – 50, probably Guelders, Eastern Netherlands. Initial ‘O’, from an unidentified manuscript, about 1500 – 30, Flanders (now Belgium). The term illumination originally denoted the embellishment of the. © Victoria and Albert Museum, LondonĬut-out border ornament, attributed to Domenico Morone, from a Franciscan choirbook, about 1500, Verona, Italy. For full treatment, see painting, Western: Western Dark Ages and medieval Christendom. Pentecost, attributed to Silvestro dei Gherarducci, from a gradual made for the monastery of San Michele in Murano, 1392 – 99, Florence, Italy. ![]()
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